portfolio visit 2

My second portfolio 'visit' was more of a showing as It was executed via E-mail.
In the second year of my course we were prompted to start contacting practitioners, one of the people I contacted was Benjamin Wachenje.
A full interview with him makes up an entire post of a previous blog.
Being inspired by his work on the Grand Theft Auto Computer game franchise some 10 years prior, I had become an admirer of most of his work as I felt that I could relate to his work and his subject matter since we are from similar backgrounds.
During the process of interviewing Ben I seized the opportunity to show him some of my work.
some of my own work and a couple of reproductions of his own work that I had I done in a 'deconstructing an art work' project in the first year'.
The feedback was all positive.
This probably was a good thing but led me to tread water.
It had left me with the idea that Benjamin Wachenje thinks my work is 'dope', no need to change anything and just keep doing what I am doing.
Where as when Chris Howker cast his eye over my work, he gave me a critique that was the catalyst for me wanted to evolve my work,
So because of the portfolio visit process I have learned two very important rules so far.
the First is not to be over awed by anybody whether you are a fan or not, it can lead to delusion or disappointment if what they say isn't as positive as what you are expecting.
I cant think of many more things more dis-heartening than being negatively fed back to by someone who you admire.
The second thing I have learned is not to take criticism personally, take it constructively and use it as fuel to evolve your work.

Merry Christmas Bloggers :)

Website Review

I have recently started making enquiries about creating and maintaining my own web page.
A friend of mine put me in touch with a two web designers and was quoted from between £120 and £380 the assessment was automatic.
With web pages you get what you pay for.
That is not to say expensive is better or that being good looking is better than functional.
Each come with their own unique pro's and con's
I will compare and contrast 3 different websites, the first one I am going to look at is Benjamin Wachenje's online studio. http://www.benjaminwachenje.com/home.php
This website is brilliant, an 80's theme bedroom desk setup, using the same artistic style that defines much of Benjamin Wachenje's work.
Navigating through his various portfolio's and clearly labelled sections by using a roll over amstrad style joystick, bright and functional, with relevance to the artist and his work alike.
It is a fun place to be speaking in terms of online, in opposed to say the direct.gov website which is all very uniform and to the point and a chore to operate but also relevant to its task.
A website should be personal and have a streak of the owner throughout it especially one belonging to a creative mind.
Many leaves could be taken from this website's book in terms of design, personality and originality if that is way I feel to develop my website into
While researching for a previous post, I was looking for images and information regarding Noma Bar, the highly published illustrator so visited his webiste, which I must say, I had allowed myself to expect something mind blowing, and here it is http://nomabar.com/
Disappointed? yeah so was I. Nice imagery but unless I couldn't work out how to get beyond the contact details and everybody else did, its not a very exciting experience, there is however other web sites that do have galleries of his work, but I am concentrating on personal domain names not sections of other department store style websites.
One would expect Noma Bar to exhibit work on the website bearing his name, but to just have contact details, on a jpeg with albeit a nice image just seems slightly pretentious, and even though it contained contact details it made me he was more inaccessible.
If simple and efficient is the way I am compelled to take my own website then this, http://www.lizlomax.com/ would be an ideal example of simplicity meeting creativity but not to an excess.
Liz Lomax's website, is bright, clean, crisp and light hearted, made fun by the nature of her cheeky 3d artistic caricature sculptures of celebrities.
There is a feeling of welcome with this website, an excited eager feeling of 'come in and look around',
but with an air of gratitude, 'of thanks for visiting' when in contrast to Benjamin Wachenje's
site which leaves you feeling satisfied after play.
Fun and playful or simple and effective, both good choices I could see myself adopting for a website, I m not sure which maybe both?.
One thing is for sure, it wont be just my phone number, that what business cards are for.
I want my website to be an extension of my personality, something that stands out, its functional but not boring, I know what I wont do and that is set myself a budget as that instantly limits my options, plan and design then present the idea to a designer and then ask how much it would cost to bring that to life I understand money is a factor for many people and who knows what opportunities may come along because of owning my own web space,
An exciting prospect.

I Wish I'd Done That

When asked to blog about an artwork I felt 'I wish I'd done', initially I felt quite over awed,
how could I possibly choose one piece of art from the many thousands I have seen and felt that small pang of creative jealousy over!?
The feeling of 'wow, why did I not think of that'.
After toiling over it for a while, I remembered a quote from my interview with Benjamin Wachenje.
The quote was regarding a piece he had done of his son.
He told me...'I had just turned down a job with the US army worth over $100,000. Since I had decided not to help them create recruitment posters I thought I had better make some pro-peace images. It really helped take my mind off the $100,000 I had kissed good bye too and made me consider how powerful art can be'.

The Image above is the one Ben referred to in his quote.

Now, my 'wish I'd done that' is more of a 'hope I could do that', meaning that if the chance arose that I could also be as true to my beliefs and uphold my integrity in such a way.

Considering the current financial climate around the world, to be upstanding and strong enough to turn down such a sum of money for doing something you love to do is a feat not found in many humans, and those that can do it, are of a moral fibre that is rarer than the proverbial rocking horse droppings.

In a point in history where I feel money is the main motivator of people and the thing that really does make the world go round, to be able to make such a choice would make me the a very proud man.

Without a doubt, money IS a motivator, after all its one of the main reasons people get out of bed in a morning, wether it be to go to work, or to 'sign on' at the job centre, making money is at the forefront of 90% the populations life long 'to do' list.

A person in the other 5% is a very rare find, so to feel like you belong within that small percentage would be an achievement in itself.

If I'm honest, and ask myself would I be able to turn down such an offer, I'm not sure I could, but I like to think I would.

Now if I refer to an actual piece of work 'I wish I'd done' im going to cite an image I came across last  night on facebook of all places.

Its a political piece which in itself is not something I would consider, but this is to commemorate the 20th anniversary of the awful Murder of Stephen Lawrence in London, in April 1993.

The creator of the piece is Mr Jon Daniel, working out of London.

http://www.jon-daniel.com/home.html 

Not only is the Image relevant, its important. 

Done in such a simple way, but carries such an important message to not just those who remember the heinous nature of this racially motivated murder of a young man who did nothing to deserve having his life cut short but its done in such a minimal and simplistic way.

If a picture paints a thousand words, then here is the evidence.

This definantly gave me that creative 'jealousy pang' I mentioned earlier in my post.

The image has undertones of Noma Bar's work, one of the first Illustrators my tutor, Joanne Spicer, introduced me to on first joining the course, this is probably another reason it stood out to me.

Before I began my course, my choice for such a topic would probably have been an image of a transformer or Spiderman fighting with The Incredible Hulk, or a graffiti piece (not Banksy, thats a whole new blog post!) but since I started the course I have had my eyes opened to eclectic world of illustration and what Illustration actually is.

So there it is, not only what 'I wish I'd done, but what 'I hope I could do'.  

Benjamin Wachenje Interview...

This is the Interview, I conducted with A personal Inspiration of mine, The established Illustrator, Benjamin Wachenje on 21st January 2013, I found him such an approachable and friendly person, who answered all of my questions in a full and honest way, It was quite an honour for me to get this opportunity, so I hope you enjoy reading it and find it as helpful as I did!

ME: Hi Ben, 

Instead of sending a block of questions, I figured I'd send them one at a time,

it seems less formal and leaves room for to chop and change the questions if your answers allow.

Hope thats ok?

O.k, my first question.... As a dad to 3 young kids myself, I was wondering how you find a balance between your work (as its obviously a time consuming

working method) and your duties as a dad.

Do you think you have achieved a perfect balance or is it something you are still working at?

BW: No balance whatsoever. Sometimes I work so hard that I sleep on the sofa in the studio. Other times I will be having so much fun with my family that I will end up pushed to the limit to meet a deadline.  For the last two years I have worked from home 90% of the time. As a family I think we are much stronger now, but finically we are weaker than when I would spend 90% of the time in the studio.

ME: You wouldn't believe how much relief that answer has given me,

As I struggle to manage the time between the my art and family so to know such an established Illustrator as yourself also has not got a balance,

I can stop letting it be such a major issue and just crack on as I have been, thanks!

I struggle to compromise on my Creative Ideologies when working in a team so end up quite defensive and stubborn

Do you collaborate with other Artists and Illustrators often? and if so how do you find working in a team?

BW: I do lots of collaborations. Sometimes, humbly, I disagree with the direction and will try persuasive arguments. When these don't work I take a step back to see if I might be missing something. Usually you collaborate with somebody because you respect their artistry so I look into their suggestion to see if I have overlooked what they are driving at. I learned from painting the importance of viewing your work from a distance and from different angles. Even when I am not collaborating I consult the opinions of my wife, children and others in the studio to get their take sometimes I don't like what they say, but I still listen and continue to ask their opinion. That said, I think its equally important to cultivate solitude and create spontaneous work, even if nobody else likes it. 

ME: Maybe I just need to be a little less protective and actually learn to compromise more,

I understand what you mean though, my Brother is my fiercest critic but also one of my biggest supporter, it was him that actually pushed me to finally going to uni at the age of 28.

I First came across your work when i saw the Billboards for GTA San Andreas, and its influenced and inspired my art since.

Did Rockstar enlist you for the new game and where do you find inspiration for such a fictional and dark subject as found in 

games?

BW: But also at uni you don't always get to chose who you collaborate with so it is a little different and sometimes more problematic.

Good for you. My wife is studying again at 38. I would like to go back and develop my animation skills maybe when my wife is a qualified teacher I will be able to do a part time course. Where are you studying? what course?

With the GTA billboards I was only ever commissioned to paint the backgrounds from already existing screen grabs. All of the subject matter and character development is done at Rockstar and then the paintings are commissioned. The characters are developed by Steven Bliss who is the Art Director. In the 90's and early 00's I couldn't get any agents to represent me. Steven Bliss was already established and being offered so much work that he was turning it down. The Central Illustration Agency offered to represent me knowing that I could pick up the contracts that Steven was turning down. I was surprised when they called me because I had taken my book to them 6 months earlier and was told that I wasn't the right fit for their agency. I have been with them for nearly 10 years now. I have worked with Rockstar games on 2 GTA titles and also Red Dead Redemption. But the long and short of it is that I do donkey work for GTA, the creative genius belongs to my stable mate mr. Bliss. 

ME: Im doing a BA Hons in Illustration at Stockport, I agree with you, not being able to choose who I worked with Immediately put a dampener on my creativity,

I did learn to grin and bare it but refused to compromise on my Ideas,

But in the end it just caused conflict and the final outcomes suffered, so I suppose I learned the lesson the hard way.

I'll be having a look at Mr. Bliss' work a bit later as well!

Donkey work or not, its Inspired a whole artistic chapter in my life so thank you!

while we are on the uni subject i'll show you my reproductions, the card player, is probably one of my favourite pieces of your work, thats why I chose that to copy,

and after realising how pain staking it was, (i quit on the pinstripes before my hair went grey) and the woman with the guitar was paint on canvas as im much comfier using that media! digital is fairly new to me so i resorted back to what i know, but my question is do you have a particularly piece that you are especially proud of?

BW: Wow these are great. The card player is dope. I hate pinstripes.

I don't really have any work that I am proud of. Nearly all of my work is commercial or commissioned. I think I will be proud when I have created some of the conceptional work that has been buzzing around in my head.

I have just finished working with TY (UK based Rapper) the 3 pieces on Magenta are parts of the new EP art. Please be desecrate with these as the artwork is still under wraps. I like these because it is a return to my first days as an illustrator. In 1997 I was commissioned by Vox magazine to do an illustration of Jarvis Cocker. I cut bits of coloured paper out and stuck them down on a sheet of black leaving parts of the black to show through and divide the colours. I worked like this for several years before getting my first mac in 1999 at which point I recreated the style digitally. Its nice to go back and cut out card again. All of the typography is paper engineering. I also enjoyed the 2010 project with TY because I got to sculpt him out of wood. The GAGA illustration was fun because I subtly characterised her. I like the picture of my son with the AK47 because of its political connotations, I had just turned down a job with the US army worth over $100,000. Since I had decided not to help them create recruitment posters I thought I had better make some pro-peace images. It really helped take my mind off the $100,000 I had kissed good bye to and made me consider how powerful art can be. I like the Jameelia Jamil portrait for purely superficial reasons. Bruce Lee because it is solid colours no tones, but it still works. The painting of Logic because it was quick and fun to do. The woman on the sofa because it was so technical, my wife and I also got to stay in that hotel and it was lavish. Oh and one of my favourite clients is Jonzi-D and Breakin' Convention. Its a B-Boy festival that is celebrating its 10th year in 2013. I have worked on it since the start.

 

           

                                                                                                                             

                                                                                                                                      

          

The images above, were included in Ben's final E-mail, an example of just how helpful he was throughout the Interview, I have also, kept in touch since and still find Ben to be friendly and accommodating considering how busy he is, left me a very grateful chap indeed! so once again,

Thanks Ben!!

                                                        

The Big Sleep!

February, I was given a brief that I really got my teeth into!
It was to develop and design the cover for the Penguin Published book, 'The Big Sleep' by Raymond Chandler,
First things first, I had to familiarise myself with the story, so borrowed the book and locked myself away with it, until I had read it, this wasn't a hard thing to do as it's actually a good and engaging read.
The Ideas were flowing as I was reading, until somebody told me, (as I was halfway through) that Humphrey Bogart had played the main character,  A Private Eye named Phillip Marlowe, In a movie adaptation, this stemmed the flow a little as Bogart was hijacking all my thoughts and appearing in every idea!

And so after reading the book, and making notes of key points, characters and other things I found to be important, reoccurring themes etc.

after building a 'sense of place' file for everything related to the story, from fashion and buildings to cars and decor of 30's America, I was itching to get started!

This is how I got going...

 

Some quick sketches working with objects that play parts in the story, 

I was trying to be experimental as usual, so as well as pencil, I was playing with water colours and crayon as well. Not the kind of media I'm used to using.

I was playing with lots of ideas the book gave me, stained glass was another...

I was enjoying the Ideas and thought process's that was producing these piece's of work but did not feel they would translate well enough into a book cover so I kept going.....

I really liked this drawing, it was more representative of my own personal style but still didn't think it would work well, as I would struggle to work a typeface into or around it, so kept going, and came up with this one as a rough idea....

So, using layout templates, I developed this idea, added some hand rendered type face,...

Eventually, settling on the type in the bottom left corner, I took my ideas to the computer, and after smashing my Ideas together, with some help from a friend, I settled on a layout for my final piece,...

Apologies for the wonky photography, this is the first draft of my final piece, it needs some polishing and refinement but the process of toying with numerous ideas rather than attempting to just develop my first idea, left me with a sense of pride rather than a thought of maybe I could have done more, so this brief gave me much more than just a challenge I welcomed but a new understanding of work process's that will serve me well in coming briefs!.

And...Just received an E-mail from Benjamin Wachenje, Giving permission to publish the interview I conducted with him, that will be up shortly!

Contacting Practioners

Its been way too long since my last post, no excuse, just slack blog management, apologies!....
Right now thats out of the way, I have had quite a busy start to 2013, art wise!
January started well, I got into contact with my favourite Illustrator, Benjamin Wachenje, a real Inspiration for me, and a very easy going and approachable guy.
I asked if I could get ask him some questions regarding life as an illustrator and his practises in general,
I got quite a quick and friendly response.
We set a date for the Interview to take place, via E-mail as he is set up in London and I'm in Manchester.
So on The 21st of January, I started asking my questions,.. The answers though, I cant post just yet as I'm waiting on permission from Ben to say wether he minds me publishing his answers online.
Soon as I get permission, or not I will post the interview for all to see.

No time wasted!

Again, I have left it way too long since I last updated this, my apologies for that,
I put it down to trying to balance so many aspects of my personal life.
Anyway now that's out the way Ill attempt to explain and show exactly what I have been doing with my time.
Firstly, I accidentally stumbled across the Generation Gallery in Manchester, It is situated on New York St behind the Piccadilly plaza for those interested.
It specialises in Urban, Contemporary and Modern art, I spent the best part of an hour walking round looking at the works the exhibit and sell, some of it is mind blowing and similar to the paintings I do and sell (examples of which will be further down).
Its the kind of place that appeals to both the Illustrator and the child in me, an inspiring place!
http://www.generationgallery.com/
Take a look for yourself, the staff in there are very helpful and approachable too
Now onto more pressing matters, my own work!. Because I'm an idiot and didn't read the summer brief properly I missed a whole section (something I'm putting right at the moment),
so due to the fact Id missed the section, I figured I had lots of spare time, in which I painted some canvasses Id been commissioned to do, here's a few of them...

Clint Eastwood as Dirty Harry

Vincent and Jules from Pulp Fiction

This is actually a reproduction I was asked to do, since the original was by an artist I admire and respect, Ben Wachenje, I naturally jumped at the chance

Marlon Brando as Don Corleone

Another project I have gotten involved in is designing logo's and ideas for a friend of mine who is bringing our a line of clothes based on Manchester, its people, towns and connections.

Since a lot of them are still in production I cant really post too much, but i will show this one as its a little too advanced at the current time...

Keep your eyes peeled for 'Manni' clothes in shops and on the streets!

Right onto the work I did manage to do after reading SOME of the brief,

The film I eventually chose to draw from after some serious deliberation was Pulp Fiction, I concentrated on the 'innovation in pace' aspect of the brief coupled with the diverse camera angles Tarantino used in the film.

I came up with some sketches that I was personally very pleased with, some not so and some i felt were entirely ropey! but using the ethos of last year, embrace mistakes I kept the ropey ones, the examples below are naturally, the ones I felt I had done well.

These images make up my sequential film screen shots part of the summer assignment we were given, I was really quite excited to get going with them as faces and characters make up alot of the work I do and are something else that i find massive amounts of inspiration in.

So, that's where I'm up to now and my next instalment should contain some of the animal spirit section I completely missed!