Screen Printing Mirrors

My final major project is going to be made up of 3 canvasses 2 portraits and a central piece that will be a gilded mirror carrying a message, much like the magic mirror from the Snow White fairy tale, it will be this central piece that will tie the flanking portraits together.
Drawing a mirror, how hard could that possibly be? Turns out it was much harder than I had imagined.
I had an image of how I wanted the mirror to look,
I wanted a Georgian style ornate frame, and detailed, very detailed.
Once I had found an example i could work from I had to break it down into layers that would form a finished screen print to then lay over my painted canvas.

The Image above is of two of the three layers I drew on acetate to use to play with some colour schemes for the finished screen print.

So I took it to the print room not only to practise with the images and colour tests but to make sure the image worked as a screen print before I enlarged it to the full A1 size of the final piece.

During the tests, one thing became apparent, that using black ink was not an option, It gave the illusion of an outline, I wanted the image to flow but look natural, and thats not something you can do using outlines.

I learned other valuable lessons too, for instance making sure my printing medium was the correct viscosity, if it is too thin then it will bleed and detract from the detail of the drawing.

The first colour scheme was my preferred choice, but for the final piece I will be substituting the main Yellow layer for the golden medium ink That I used on the black background.

Mark meet Marx

While I was generating ideas around Alan Turing and Snow White connection, I was challenged by my course leader to make a similar connection between another two seemingly unrelated persons/characters.
During the discussion Karl Marx came up, I learned that although born in Germany he actually wrote his theories of Marxism, here in Manchester.
Now though I had heard of Karl Marx and Marxism, I was far from fluent in understanding what Marxism is and what the theories of Marxism contain.
So began a Marxism crash course, attempting to understand who the man was and what he stood for, after all I couldn't find a link to anybody else if I didn't know what I was attempting to find a link to in the first place.
After almost a week of reading, I finally felt that I had a firm grasp of Marxism and what Karl Marx was about.
I sat down to start breaking it down into key words I could then illustrate and begin using to discover another link but before I even got that far I was reminded of Robin Hood, as Marxism, in my understanding is all about fairness and equality within social groups.
The link had seemingly found itself,
so I had my subject matter and set off drawing it and experimenting with ideas.
It became apparent fairly quickly that drawing Karl Marx and capturing a recognisable likeness was actually fairly easy due to his predominant white beard and black moustache, so I moved onto trying to combine Robin Hood with Karl Marx, again this was quite a lot of fun!.

I tried many different combinations and styles, cartoons, traditional portrait and minimalist strokes,
After much debate I felt like the bottom image was the one that achieved the effect that I wanted in the best way.
It will be this image I turn into a screen print for the Karl Marx portrait as a final piece for my major project, to hang beside the Alan Turing, Snow White hybrid Portrait.

    

7 Criminals

While researching Alan Turing for  my project I became wound up at the fact he was persecuted for something that was natural.
I wanted to emphasise the ignorance in the prejudice and this left room for me to show just how silly it actually was.
I had drawn out some ideas using the seven dwarfs, to keep in line with the snow white theme but depicted them as different criminal elements, it was fun and gave a light hearted option to what had been up to date a fairly sombre ideas development process.

As much fun as it was to spend time playing with bright colours and fairly simple subject matter, I felt that this was a step too far away from what I had initially set out to achieve and so resigned it to proverbial scrap heap.

That was until a tutorial with my tutor group in which the drawing cropped up again and I was urged to continue along this line.

Bigger and individual was the plan of action for this section of the project.

I cant say that I was disappointed because it was just so much fun to do and play with. 

So after many drafts and drawing up other ideas I had created and painted 7 individual images of Walt Disney's dwarves depicting common stereotypes of different types of criminal, perpetrators of real crimes, crimes much worse than homosexuality.

I knew while painting them that they were going to a little close to the bone and could be construed as offensive but was told that I shouldn't really worry about that, since art and controversy often go hand in hand.

It was a lot of fun creating these images and a far cry from the meticulous nature of painting organic shapes to create of a portrait as I have done so many times before.

This is most certainly an avenue I will explore again in the near future.

                       

Portfolio Review 5: Chris Howker

Chris Howker was assigned as a mentor figure for the final year of the course.
Chris gave me my first real constructive critical review. At a time when I was used to being told what I wanted to hear, at first I took his critique personal until I sat and thought about it and realised he was right.
Asking him to be my final portfolio made sense really, to see if I had taken onboard the points he made and more importantly whether I had managed to apply them to my work.
Here is what Chris had to say this time around

Hi Mark,

Thanks for getting in touch again, glad to hear the course is going well and all is good.

I'm sorry I couldn't meet up to have a look at your portfolio but I have managed to take a look at your website and the work you're exhibiting there. I hope I don't repeat myself too much in regards to previous conversations but at least let me recap for my own piece of mind.

The first and most striking part about your work is the style/method in which it's created and the subject matter. From a commercial point of view, the use of celebrities from music, film and sport is an excellent choice as you can almost guarantee that you will find an audience who is already a fan of your subject matter and more likely to buy/commission a piece of work if it is something that appeals to them. On the flip side, the images are produced from stills or photographs made by other creatives and as a result are often over saturated through the likes of t.v, print (magazines, newspapers, billboards) and the internet. This means that despite being all your own creative work (no computer technology/filter is involved) that the original image has been seen so many times before that it sometimes loses impact.
I am not a football fan so all the portraits of Manchester United players (both old and new) are very niche - only football fans will like the work and that limits your audience - I'm not saying start creating portraits of every team in the UK but have you considered making something that is a little more universal? 

Your portraiture work is so instantly recognisable which is a good thing when you are painting familiar likenesses, but the down side is that if you want to make this a source of income then you are competing against shops that digitally print the artwork onto canvas already and have a quicker turnaround. What can you do to make these unique and something that someone will say "I want a painting done by you because  ........" and will draw new people to come and look?

The wall mural you initially created for the "fish bowl" consists of various musicians spanning a few different genres - from Bob Marley to RUN DMC and from Marvin Gaye to Jay Z - which dont necessarily all go together but you have collaged the portraits together to create something more interesting on a whole, the overall shape draws the eye in, the simple black and white doesnt distract from key features of each portrait, the scale of each portrait is different which almost leads the viewer across the image but could also suggest that each of the artists featured actually makes up your own personal music choices with small influences from specific areas. If you took this method of collage and applied it to the other portraits (maybe creating the entire starting 11 for Manchester United in this style) then it would progress the work from a recreation of a photo or fan made piece into an individual and unique illustration. 

There is nothing wrong with using photographs and found imagery but it's how you use the images that can make the difference between illustration and artwork. Illustrations often have a narrative that inform the viewer of the message either directly or sometimes in an abstract fashion. Going back to the musician mural, that would suggest to me that it is a journey through music and progression of black musicians throughout the decades but the single image of Ian Brown doesnt suggest a narrative. If music is a large part of your interests then creating a collage of Manchester musicians could be something to look at. Whilst looking through the rest of your artwork - so I dont get too caught up on one piece - I remembered how I spoke about Banksy in our past conversations, he again uses photographs/found images but juxtaposes unlikely ones together to form a satirical but almost protesting opinion on a chosen subject. You could take portraits of celebrities but instead make them funny, exaggerate details in their faces (if they have a big nose, big ears etc) and make the images almost like caricatures. This could then turn a regular celeb portrait into something more unique and interesting. However, saying that, you may not want to do any of this and stick to your initial method in which case I would suggest just trying to use some of your own photographs (not of celebrities, unless you have famous mates) but of people showing the emotion on their faces as you seem to focus and tightly crop around the head. 

I also remember asking you how you made these images, if it involved the computer at all or if you were to stencil them with spray paint. I'm glad your answer to both was no, but I still think you could do some interesting experiments with screen printing in the way that you build up layers to form the shadows and highlights of the face. I really like your watercolour and ink pieces, these show your true talent in my opinion (and the so do the newest images you've sent through to me - snow white and the mirror/picture frame). You have an understanding of proportion and I think your composition on each of these portraits draws the viewer into the centre of the image - the subjects eye's! The watercolour piece "the Model" is my favourite because of the placing of the hand at the bottom of the image which balances the piece on the page.. I also like that they are just black and white, there is nothing to distract from the image and more attention is paid to shadows that create the form of a human face and even the negative space in between (e.g. the dreadlocks on "the landlord". we dont need to see each individual dreadlock but we can read from your image that he does have dreadlocks and isnt bald for example).

the one piece that throws me and stands out is the Biggie Smalls portrait. The expressive use of basic flat colours reminds me of Jean-Michel Basquiat's artwork on an aesthetic level and your other portraits also remind me of Andy Warhol's famous works but what I don't see from your website is the scale at which these works are created. Warhol for example created some portraits at a huge scale (http://www.theatlantic.com/china/archive/2013/12/how-andy-warhol-explains-chinas-attitudes-toward-chairman-mao/282665/) and he didnt accurately colour the images nor did he use realistic colours, this too could be something you could look at in the future.

If you dont mind me asking, what is the idea behind the 7 dwarves and the new roles/characters you've given each of them? I too have taken well known characters and tried to create the idea of "where are they now?" and the narrative of what has happened to them since their celebrity lime light has passed. the only downside I had to this was I wasn't creating anything original. I was taking an already existing character design and just altering it slightly for my own amusement, but if given the correct context this can work amazingly well. Ron English has taken an old favourite of mine (Tony the Tiger) and altered it to make you think more about yours and your childrens diets (https://www.google.co.uk/search?q=ron+english+tony+the+tiger&safe=off&es_sm=119&tbm=isch&imgil=qZTac1eyceNUtM%253A%253Bhttps%253A%252F%252Fencrypted-tbn2.gstatic.com%252Fimages%253Fq%253Dtbn%253AANd9GcRBmeQKlZMPHc_IEGJpgnyvWBFD6rCAn0X7LG6d_4-aq4RqioMU%253B600%253B410%253BFffVI7cVqKneaM%253Bhttp%25253A%25252F%25252Flaughingsquid.com%25252Ffat-tony-vinyl-figure-by-ron-english-satirizes-kelloggs-tony-the-tiger%25252F&source=iu&usg=__Hd0wtBuy3_zUvfqU_gAzHmYC5KU%3D&sa=X&ei=0SJUU9qlCNKv7AaCxYH4Bg&ved=0CDEQ9QEwAA&biw=1347&bih=659#facrc=_&imgrc=qZTac1eyceNUtM%253A%3BFffVI7cVqKneaM%3Bhttp%253A%252F%252Flaughingsquid.com%252Fwp-content%252Fuploads%252Ffat_tony_toy.jpg%3Bhttp%253A%252F%252Flaughingsquid.com%252Ffat-tony-vinyl-figure-by-ron-english-satirizes-kelloggs-tony-the-tiger%252F%3B600%3B410). 

BUT EVEN STILL.. this is not an original idea...Topps used to create Wacky packages which later led to the creation of the Garbage Pail kids - http://www.retroland.com/wacky-packages/. both designed to poke fun at existing brands and products.

The snow white image, I can't quite make out whose face you have replaced her's with, but I was actually drawn to the method you have used to create this piece. Because it is pencil, I am immediately more interested in it as I know it's hand drawn and later the addition of the red shaded layer looks like this is going to form an interesting work method. I actually like the tracing paper layer over the top of the original drawing as it flattens the large black areas and makes the red jump out more. The mirror/picture frame is amazing! theres so much going on in there and its all subtly created by the white space you've left, yellows and orange for the shadows. What is going to happen with this? 


Overall it's great to see that you've started developing your work as well as keeping what you already know and can do. I would love to see more development and experimenting in specific areas but that's easy for me to say, I always get excited trying to suggest ways in which to be creative but you may have a strong solid idea of where you want to take your work already.

I hope some of this has been useful at least.

take it easy and hope you had a good weekend fella.

Chris H

Portfolio Review 4: Jon Daniel

Jon Daniel is an Independent creative director from London.
I fIrst encountered Johns work in the first year of my degree course when writing a blog post about works I wish that I had done, the example I chose was this poignant, simple but very effective image to commemorate the twentieth anniversary of the murder of Stephen Lawrence in London.

                                   

So my reasoning in asking Jon to review my work was the depth and level of meaning within his work,  this was something I myself needed and so advice and direction from somebody with the elements in their work that I crave for my own was going to be ideal and pretty priceless.
Here is what Jon had to say..

Hi Mark Have had a look at your site and I think your "watercolour" works are by far the best work on the site. I think the others featuring music and sports icons are too similar to what is already out there, and if you are to do it then maybe think how you can make if more original and in a style of your own. I also was insure with those images whether they were actually painted or just digitally manipulated photographs. If the former then you need to do something to show that either photographing the artworks so I can see textures of the canvas or scale of the image may also help. I think you could look at the watercolours too and keep pushing it again to develop your style. Or even experimenting with the media you use to paint on? Eg. Old recycled packaging or cardboard boxes could add an interesting dimension to the work. Imagine a series of sportspeople but illustrated on old sports shoe boxes? Anyways that's all I got for you right now, but I hope you find it constructive and helpful. Warmest regards Johnny

So again a very short and to the point review, but also very helpful even offering ideas for future works, with plenty to mull over and take on board.
Jon also touched the same points that Kelzo and Chris Howker made in previous reviews.
This has struck home to the full extent now, that my work though aesthetically pleasing just does not stand out and its up to me to change that.
I will provide a link to Jon's website for you all to browse and appreciate in your own time.

www.jon-daniel.com

Portfolio Review 3: Kelzo

Tony 'Kelzo', is a renown graffiti artist from Manchester, he has been decorating parts of the city since the early 80's.
He is still an active artist who works to commission painting everything from walls to vehicles
I first came across his work when I was studying fine art at a city centre campus in 1999, It was a large abstract style piece, multi layered with angles coming and going in all directions, the colour gradients amazed me. I was an instant fan.
So while writing my dissertation when the opportunity came up to converse with the man himself and take his opinions on many subjects I was delighted.
When I was informed by the tutors that I was required to have my portfolio reviewed again, one of my first thoughts was that I'd like Kelzo to be one of the reviewers.
There were many reasons for my wanting him to look at my work and provide feedback, from the fact he is a local and relevant artist, and from past experiences, he is honest and accessible.
Being a busy man, he was hard to pin down so I sent Kelzo a link to my website so as he could go through my portfolio in his own time.
When Kelzo got back to me, he praised my work, but said there is alot of the same kind of thing out there already, so just as Chris Howker had told me a few months previous, he suggested doing some work that carries a little more meaning, work that says something.
He suggested that I experiment with application methods and the surface I am painting on, not just canvas and paper.
Kelzo also offered some tips and suggestions on the lay out of my website and photographing my work as well.
All in all, it was a short and to the point review, but I appreciated it that way as I knew that Kelzo had taken time out of a busy schedule to assist me.
Short though it was the advice he left me with was priceless as the experience he has in the industry dates back to before I was even born.
I have provided some examples of Kelzo's work, and a link to his website. www.kelzo.com

My Website

Finally, I have got a website, to exhibit my artwork, and a place to receive feedback from the public,
I wanted to keep it simple and user friendly rather than difficult to navigate for the sake of complicated over bearing aesthetics.
I am still constructing the site, attempting to improve it all the time.
so without further ado, here its. MarkStensonPortraits.co.uk
Please feel free to look around the site and also to leave feedback and comments.